In a Volatile Market, Art Basel Galleries Bet on Our Attention — For most exhibitors at the Swiss art fair this year, the answer is not spectacle, but rather laser focus.
Richard Tsao's "Sanuk" Art — In an interview with Hyperallergic, the artist known for his "Flood Room" paintings compares his decades-long practice to "the need for food."
Anni Albers Wasn’t Afraid to Start From Zero — Nicholas Fox Weber’s new biography draws on their nearly 25-year friendship, allowing her dedication to textile art and her warm humor to shine through in equal measure.
Happy AlgaeBTQ+ Month From Trump’s Reflecting Pool Memes — Internet denizens are lauding nature’s rebellion against the president’s failed plan to paint the iconic pool “American Flag Blue.”
Sour Soda Studio Depicts a Saccharine World Where Humans Have Lost Control — The illustrator takes a playful and slightly unsettling view of some of the most pressing issues of the Anthropocene.
Indie Specialized Box Office Chart: Olivia Wilde’s ‘The Invite’ Outpaces Other A24 Platform Openings — Olivia Wilde's 'The Invite' from A24 debuted with a per-screen-average of $56,194 on 7 screens.
Brooklyn Street Art | …loves you more every day. — Street art culture.
Ansel Adams Trust Decries Dealer's Sale of Photo Colorized Using AI — The trust said gallerist Peter Danziger's AI-altered editions, offered at an art fair, “exploited Ansel’s name, reputation, and his most iconic image."
Marc Spiegler Got It All Wrong — In a guest essay for the New York Times, the former Art Basel global director presented a vision of a Brave New Art World that has little to do with art and those who make it.